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大師們的第一部電影

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分類：紀錄片地區：保加利亞語年份：2007人氣：2

更新：正片/2022-12-31 12:31:56

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導演：莫里斯·皮亞拉阿倫·雷乃讓-呂克·戈達爾雅克·裡維特帕特里斯·勒孔特讓-皮埃爾·梅爾維爾弗朗索瓦·特呂弗雅克·多尼奧-瓦克羅茲

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關鍵詞：大師們的第一部電影 nbsp 大師們電影內容簡介 nb

內容簡介 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &內容簡介 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;本片其實全部是法國電影大師們的處女作品選，共收錄8位大師的8部短片，具體如下： &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;1. 莫里斯.皮亞萊特(MOURICE PIALAT，主要作品《撒旦陽光下》《梵高傳》) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;《真愛存在》L&#39;AMOUR EXISTE /1961年 /19分鐘 /黑白 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;莫里斯.皮亞萊特通過對巴黎市郊生活的描述擴大到審視整個法國的社會問題。大人們為眼前利益殺雞取卵，導致環境惡化，小孩在失去自由空間的同時亦受到貧富不均的階級對立影響。時而抒情時而憂慮的畫外音，讓人感受導演對當時法國前途的憂慮和責任感。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;2. 阿侖雷乃(ALAIN RESNAIS，主要作品《去年在馬倫巴》《廣島之戀》) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;《苯乙烯的聖歌》LE CHANT DU STYRENE / 一部對一個塑料工廠詩意觀察的記錄短片/1957年 /14分鐘 /彩色 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;這是一部對一個塑料工廠詩意觀察的記錄短片，儘管是對苯乙烯生產過程的忠實介紹，但語言生動活潑，饒有趣味。紀錄工業流程的畫面固然乏善可陳，但開篇出現的苯乙烯成品，相對而言，倒頗為新穎。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;3. 讓.呂克.戈達爾(JEAN-LUC GODARD，主要作品《精疲力盡》《小兵》) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;《夏洛特的情人》CHARLOTTE ET SON JULES / 喜劇 /1958年 / 13分鐘/黑白 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;本故事短片好似一個喜劇小品，與作家已分手的女友突然回來，令男人心情複雜。初始以為女友是想重拾舊好，於是百般諷刺；待發現女友的情人就在樓下車中等她時，又百般哀求。影片的對白全部出自男作家對女友的絮叨，包括對電影的諷刺、對電影圈醜聞的曝光，妙趣盎然又有利於刻畫人物性格。而女友只在最後說了一句，她是回來拿牙刷的...... &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;4. 雅克.裡維特(JACQUES RIVETTE，主要作品《不羈的美女》) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;《牧羊犬的攻擊》LE COUP DU BERGER / 喜劇 / 1957年 / 27分鐘 /黑白 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;《牧羊犬的攻擊》正如法國作家莫伯桑的短篇小說一樣曲折巧妙，妻子的情人贈她一件名貴大衣，為了瞞過丈夫，妻子假託以拾到一張寄存票，好讓丈夫取回那大衣，不至疑心。本來是天衣無縫的妙計，孰料棋差一著，丈夫取回的居然只是一見廉價的兔皮大衣.....妻子鬱悶兼疑惑，待到晚間家裡舉辦晚會方才真相大白：她的妹妹居然穿著那件名貴大衣參加，原來丈夫與小姨子......既然如此，妻子只能啞巴吃黃連，自喝悶酒了。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;5. 弗朗西斯.特呂弗與讓.呂克.戈達爾 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;《水的歷史》HISTOIRE D&#39;EAU / 喜劇 / 1958年 / 12分鐘 / 黑白 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;儘管片名是《水的歷史》，但講述的卻是一個少女在赴巴黎途中由於積水氾濫而與一個青年司機相識，經過短暫接觸後竟萌生愛意的浪漫故事。正如少女獨白提到的“離題&quot;，影片開始講水，後來又由水講到邂逅愛情，最終少女總結到，這場水給我帶來了愛情，彷彿弗朗西斯.特呂弗與讓.呂克.戈達爾的電影一樣，呵呵，原來兩位大師當年也很會自我吹噓啊。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;6. 帕特里斯.勒孔特(PATRICE LECONTE，主要作品《橋上的女孩》《浮色年華》) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;《可怕的實驗室》LE LABORATOIRE DE L&#39;ANGOISSE / 喜劇 / 1971年 / 11分鐘 / 彩色 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;本片不是討論化學，而是關於實驗室的另一面（片頭語）。實驗室裡，一個勤雜工無法抑制了愛上了女化學家，他希望引起她的注意，但女化學家似乎只注重她的實驗，儘管勤雜工的手已被硫酸腐蝕到惡爛——當然勤雜工自己都不在乎。影片看似浪漫，實則充滿黑色幽默，鏡頭運用更見精心，尤其影片在想將包遞給女化學家的勤雜工的手被電梯夾斷後便戛然而止，後現代的無釐頭手法非常明顯。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;7. 雅克.多尼奧-瓦克羅茲(JACQUES DONIOL-VALCROZE，主要作品《失落的一封信》) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;《過度勞累》LES SURMENES / 喜劇 / 1957年 / 19分鐘/ 黑白 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;獲得打字比賽冠軍的少女從鄉下來到巴黎，她雖然努力打字努力工作，卻厭煩生活的一成不變和未婚夫的乏味。她曾嘗試白天工作、晚上瘋狂，但姐夫勞累過度的遭遇加上自己精力也不能應付工作的壓力，最終令她只能在工作中尋找樂趣。如今看來，《過度勞累》應算是一部積極的現實題材，雅克.多尼奧-瓦克羅茲在短短20分鐘的時間內表達了他對上班族如何平衡工作與娛樂的看法，其中又有社會折射，實屬難得。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;8. 讓-皮埃爾.梅維爾(JEAN-PIERRE MELVILLE，主要作品《獨行殺手》) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;《小丑的一天》24 HEURES DE LA VIE D&#39;UN CLOWN / 記錄片 / 1946年 / 18分鐘 / 黑白 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;為觀眾帶來快樂的小丑晚上謝幕後，回到家中有賢惠的妻子照顧，睡前回顧下自己的職業和成績，也算其樂融融。翌日起床，依舊由賢妻服侍周全，自己則為周圍鄰裡帶來快樂。當然他白天仍要與搭檔一起在街上觀察生活，從中汲取諧趣靈感，為晚上的表演度橋......這便是小丑的一天。詳情

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